Happy Halloween LesBees! Here’s a selection of some of my favourite Old Hollywood actresses and models posed as cheeky pin-ups and spooky witches with black cats, ghost stories, jack-oh-lanterns, and cauldrons – everything necessary for a good party. Be feisty witches this weekend! Do spells! Conjure hellbeasts! Tame them and name them after your favourite tv character! Change your costume according to venue! Indulge and enjoy the spookiest most macabre and therefore happiest time of year!
Dazed and Confused did a spooky themed issue last year, marrying high fashion and the macabre in time for Halloween. It featured Chloe Moretz, who was fresh from her re-make of Stephen King’s Carrie as its raven haired, goth cover girl and was full of dark editorials.
“Reign in Blood” Chloe Moretz (with Matt “Ratty Tatty” Kelly) by Glen Luchford
“Disturbia” Linn Arvidsson, Anouk Hagemeijer, Lena Hardt, Irene Hiemstra, Larissa Hofmann, Clara Nergårdh and Jamily Wernke Meurer by Jeff Bark
This macabre, sensual editorial of the iconic Gemma Ward has long been a favorite of ours, and perfect for Halloween time. Gemma floats through this gothic dreamscape like a demon looking for a soul to take. One photograph in particular references Henry Fuseli’s vision of horror in his 1796 painting The Nightmare.
William Mortensen is an art historical hero not well known to the masses. Mortensen began as a Hollywood artist; a contemporary of Cecil B. DeMille who worked in everything from set decoration to costumery. He was a photographer too, and as the jack-of-all-trades grew more popular in the film industry, he was able to photograph the likes of Jean Harlow and Peter Lorre, the resulting images ending up in glamorous magazines and bestselling books. Except Mortensen was no typical portrait artist.
Influenced by the burgeoning genre of horror film growing inside studios like Universal in the 1920s and ’30s, he produced portraits that were more nightmare than reality. Manipulating his images with printmaking techniques and rather primitive collage-like practices, his artworks looked like paintings rather than photographs. Given the subject matter — monster primates, transfixing nudes and anything occult — it was just easier to assume the former. His non-celebrity imagery had no limits, as he obsessed over torture, death and unbridled sexuality. (text from here)